How Do You Write Poems?
I woke up in time to catch CBS Sunday Morning and the moment it was over, I clicked off the television, already annoyed by the Sunday morning crew newscast, and started getting myself dressed and my stuff together.
Four notebooks, some print outs of articles and Other People’s Poetry I found the previous week at work, two pens, one pencil. Some books I didn’t open.
I’m a morning person, obviously. If I can get out of the house before 8:30 I feel like I’m accomplishing something and there’s hope. I like it early when the streets begin to aspirate gently. What people there are move slowly. By rights I should walk, but the arthritis in my knees and my unreliable feet make that downhill mile more daunting than I’d like. I don’t wait long for the bus. From there, its a two block walk past the children’s playground to my preferred café. The other name cafe’s you’d recognize, with better coffee and pastries, have tables that are much too small. In their large communal rooms, only a couple of tables are appropriate, both at the window and against the brick wall (one inside, one out). Those tables usually go first to students staring into their laptops or seniors leisurely combing over newspapers. I found one café with strong coffee and kinda miserable Costco pastries and huge tables with bay windows overlooking the lake that’s dreamlike for me. Its owned by an Ethiopian family. And part of my effort to get here early is for a prime window seat. Both tables were taken by the time I arrived, but I found a large table, centered against the wall, a couple of arms length away from the window where a woman sat talking on her phone with her laptop yawned open. On my other side, a younger Asian male finished a breakfast burrito and stirred the white pages on his desk.
I took out a yellow legal pad and a pencil and wrote three pages. Those were pages of therapy. Cleansing out whatever stray detritus floated in my head. Last nights dream, my insecurity, shame, wishes for what I’d rather be doing, what I did the day before and what I didn’t do. I wrote without stopping, as if sitting across a therapist and free associating. Until finally I ran out. I sipped coffee, I pinched off a chunk of muffin.
In one of my notebooks I made a bullet list: What goals did I want to accomplish, Right Now, while sitting here? I wrote three sentences. My intent was to write about Prince, via three specific experiences. Friday morning, I wrote a page of stray inconsequential notes and phrases. I gazed at them again, then took up the essay I’d found on line the previous week. Then read a poem. If writing my head clear with a pencil is one thing, this act of reading harmonizes my brain. Pointing my imagination to a goal, a direction.
Reading was a way to jump start the conversation in my head. Where and how do writers begin– how do they track their feelings on the subject, in this case Prince. How are they successful and how do they disappoint me? The poem I read started with a truly lovely idea and image, but it kinda devolved into sugary gibberish as it reached its end. The essay I read was better: strong, beautiful, admirable and personal. He’d write a far better version of whatever it is I’m sitting here hoping will emerge.
I reminded myself there were three memories I wanted to try to capture. I took up another notebook and free-wrote thru one memory at a time. I couldn’t stop. It was like automatic writing. I watched the images in my head and like a journalist made notes on what I was seeing, thinking, feeling. Because it was a poem, I pushed the boundaries of what I remembered and attempted to add things, images, elements that didn’t happen but could have. I wrote quickly, almost trembling in effort to write faster.
I stopped and looked up. A half dozen spandexed joggers had come in and sat down. A dude with a very runny nose sat next to me, also with a notebook so I quietly wished him luck. I took up my second memory and turned it over in my mind. Hadn’t thought of it in years. Then picked up a pen and ran with it; When I couldn’t remember something, I made it absurd. Surreal. Sometimes its not just what the Thing is, its what else it is. I wrote quickly, choreographing all manner of insane things into a memory which was more like a GIF file stored in my brain. Same with that third memory. Crazy write, I think is the phrase.
I left my laptop at home. On purpose. Hand writing is like sculpting. Creating directly from the heart. Because you’re writing by hand, you work slower and become more specific in your word choice — or crazy in your word choice once you realize you can’t stop and check a thesaurus for an alternative. To stop and check something is to stop, period. I only found myself stopping and looking up across the room from time to time as if I were listening to someone on the phone and they just put me on hold. It was swimming a few strokes and coming up for air. Right now, the goal isn’t to get anything right, its just to Write: to dump out of my mind every crumb of imagery that wants to come up while turning something specific over in my head.
Consequently, to initiate something on the computer– as I’m doing now– is creating something directly from ego. The effort is faster, which isn’t to say better, more muscular and from a seat of certainty, knowing. Ego. I can end this, scan it for errors, and publish it quickly. Instead of being the best it could be, it’ll just be Done. Last week I found a quote attributed to Dylan Thomas: “The best craftsmanship always leaves holes and gaps in the works of the poem so that something that is not in the poem can creep, crawl, flush, or thunder in.” I think handwriting leaves holes that allows for conversation to happen later once you re-approach the page. What I’m writing now, this blog, will be finished in a few paragraphs and never thought of again.
But yesterday… I left the café to go to a bakery for cookies. Then I returned home, put on Oscar Peterson, Art Blakely then a recording of Langston Hughes The Weary Blues. I cleaned up the kitchen, smoked half a joint, then typed up all the notes from earlier this morning. The typing showed me a lot of holes and clichés. How many different words can there be for heart? How many different ways can I say galaxy? Being high I made editing choices that were raw and interesting (and brief. High-James is not a great writer, but he’s a solid typist and edits well enough).
Those notes are marinating now. I finished and mailed them to myself for today, to print and go back over tonight when I leave work and to review ‘what happened’. I printed those pages blindly without looking, then slipped them into my notebook. To marinate your work seems most essential in writing– even more important than whether you type or hand-write. My brain is, even as I type this, very curious as to what happened in those notes. But forcing myself to wait while thinking other things, to let the words congeal on the page without me, allows me to approach my own work again, but with fresh eyes, a different face and new outlook. To read my own work as if I were a friend or critic of myself.
ME: Hey!! I wrote seven pages yesterday! NEW ME: Are any of them worth reading? ME: Hater!